Ortado\u011fu denince g\u00fcn\u00fcm\u00fcz d\u00fcnya kamuoyunun zihninde beliren ilk imge; sava\u015f\u0131n, nefretin, yoksullu\u011fun ve cehaletin kuca\u011f\u0131nda bocalayan bir kaos co\u011frafyas\u0131d\u0131r. Sanki kanayan yaran\u0131n hi\u00e7 kabuk ba\u011flamayaca\u011f\u0131, par\u00e7alanm\u0131\u015fl\u0131\u011f\u0131n kader haline geldi\u011fi ve gelece\u011fe dair umutlar\u0131n t\u00fckendi\u011fi bir yery\u00fcz\u00fc par\u00e7as\u0131…<\/p>\n
\u200b\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Oysa tarih sahnesinin perdesini biraz aralad\u0131\u011f\u0131m\u0131zda, bu topraklar\u0131n insanl\u0131\u011f\u0131n be\u015fi\u011fi oldu\u011funa \u015fahit oluruz. Ortado\u011fu; nice dinin, dilin, k\u00fclt\u00fcr\u00fcn ve milletin filizlendi\u011fi kadim bir haf\u0131zad\u0131r. \u0130brahimi gelene\u011fin \u00fc\u00e7 semavi dini\u2014Yahudilik, H\u0131ristiyanl\u0131k ve \u0130slamiyet\u2014bu co\u011frafyada ilahi vahiyle bi\u00e7imlenmi\u015f; insanl\u0131\u011fa evrensel ahlak, adalet ve merhamet \u00e7a\u011fr\u0131s\u0131nda bulunmu\u015ftur. Hz. Musa, Hz. \u0130sa ve Hz. Muhammed (s.a.v.) gibi peygamberlerin mu\u015ftusuyla bu topraklarda yaln\u0131zca inan\u00e7lar de\u011fil, insanl\u0131k tarihine y\u00f6n veren b\u00fcy\u00fck medeniyet tasavvurlar\u0131 do\u011fmu\u015ftur.<\/p>\n
\u200b\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tarihsel s\u00fcre\u00e7te her inan\u00e7 ve k\u00fclt\u00fcr, kendi \u00f6\u011fretisini hayat\u0131n k\u0131lcal damarlar\u0131na aktararak zamana ve mek\u00e2na \u00f6zg\u00fcn de\u011ferler katm\u0131\u015ft\u0131r. Gelenekler, felsefeler ve ya\u015fam bi\u00e7imleri birbirini beslemi\u015f; bu kadim birikim nihayetinde \u0130slam\u2019\u0131n ku\u015fat\u0131c\u0131 medeniyet anlay\u0131\u015f\u0131yla somut bir kimlik kazanm\u0131\u015ft\u0131r. Kavimler g\u00f6\u00e7\u00fc ve k\u00fclt\u00fcrel etkile\u015fimlerle Do\u011fu’nun birikimi Bat\u0131\u2019ya ta\u015f\u0131nm\u0131\u015f, yeni d\u00fc\u015f\u00fcnce ak\u0131mlar\u0131n\u0131n ve medeniyetlerin do\u011fu\u015funa zemin haz\u0131rlam\u0131\u015ft\u0131r.<\/p>\n
\u200b\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0130\u015fte bu etkile\u015fim ortam\u0131, insanl\u0131\u011f\u0131n daha iyi bir toplumsal d\u00fczen aray\u0131\u015f\u0131 olan “\u00fctopya” kavram\u0131n\u0131 do\u011furmu\u015ftur. Platon\u2019un Devlet\u2019inde \u015fekillenen, Campanella\u2019n\u0131n G\u00fcne\u015f \u00dclkesi\u2019nde yank\u0131lanan ideal toplum aray\u0131\u015f\u0131, Do\u011fu felsefesinde Farabi\u2019nin el-Medinet\u00fc\u2019l-Faz\u0131la (Erdemli \u015eehir) eseriyle en yetkin kar\u015f\u0131l\u0131\u011f\u0131n\u0131 bulmu\u015ftur. Farabi\u2019ye g\u00f6re erdemli bir toplum; ancak adaleti tecelli ettiren, bilgisini hikmetle harmanlayan ve tek amac\u0131 halk\u0131na ger\u00e7ek mutlulu\u011fu sa\u011flamak olan erdemli y\u00f6neticilerle m\u00fcmk\u00fcnd\u00fcr. Zenginlik arzusu ve zorbal\u0131k, erdemli y\u00f6netimin de\u011fil, cehaletin tezah\u00fcr\u00fcd\u00fcr.<\/p>\n
\u200b\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00dctopyalar, imk\u00e2ns\u0131z hayaller de\u011fil; aksine \u00e7a\u011f\u0131n\u0131n toplumsal krizlerine getirilen felsefi birer ele\u015ftiri ve gelece\u011fe dair yap\u0131c\u0131 fikir jimnastikleridir. Bat\u0131\u2019n\u0131n kirli elitlerinin siyonizm vah\u015feti ile b\u00f6lgeyi s\u00fcr\u00fckledi\u011fi bu kanl\u0131 ve kaotik ortamda; co\u011frafyan\u0131n kadim dokusuyla hi\u00e7bir \u015fekilde uyu\u015fmayan, d\u0131\u015far\u0131dan dayat\u0131lan t\u00fcm sapk\u0131n unsurlar ve yapay krizler bu topraklardan s\u00f6k\u00fcl\u00fcp at\u0131lmal\u0131d\u0131r. Ancak bu kirli ve yabanc\u0131 yap\u0131lar ay\u0131kland\u0131\u011f\u0131 takdirde bu co\u011frafya nihayet huzura erecektir. T\u00fcrkiye’den Ortado\u011fu’nun en u\u00e7 k\u00f6\u015felerine kadar uzanan bu s\u00fcre\u00e7te bizleri pasif bir kabulleni\u015fe s\u00fcr\u00fckleyen her t\u00fcrl\u00fc dayatmaya kar\u015f\u0131 durmal\u0131y\u0131z.<\/p>\n
\u200b\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0130\u015fte tam da bu noktada ben, bu co\u011frafya i\u00e7in yeni bir \u00fctopya teklif ediyorum:<\/p>\n
\u200b\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 S\u0131n\u0131rlar\u0131n \u00d6tesinde Bir Birlik: Tel \u00f6rg\u00fclerin ve yapay s\u0131n\u0131rlar\u0131n anlams\u0131zla\u015ft\u0131\u011f\u0131, emperyalist m\u00fcdahalelerden ve kirli hesaplardan ar\u0131nm\u0131\u015f; Ortado\u011fu halklar\u0131n\u0131n temel insani ihtiya\u00e7lar\u0131n\u0131 a\u015farak h\u00fcmanizm, ilim ve ortak refah paydas\u0131nda bulu\u015ftu\u011fu\u2014t\u0131pk\u0131 Avrupa Birli\u011fi modelinde oldu\u011fu gibi\u2014bir entegrasyon hayal ediyorum.<\/p>\n
\u200b\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ge\u00e7mi\u015fle Gelece\u011fin Mimarideki Dans\u0131: \u015eehirlerin; ge\u00e7mi\u015fin estetik miras\u0131n\u0131 ve kimli\u011fini korurken fende, teknolojide ve \u015fehir planlamas\u0131nda \u00e7a\u011f\u0131n \u00f6tesine ge\u00e7ti\u011fi bir co\u011frafya d\u00fc\u015fl\u00fcyorum. Tarihi dokunun yenilendi\u011fi, her kimli\u011fin kendi dilini, k\u00fclt\u00fcr\u00fcn\u00fc ve inanc\u0131n\u0131 \u00f6zg\u00fcrce tuvale yans\u0131tt\u0131\u011f\u0131 bir ressam titizli\u011fiyle tasarlanm\u0131\u015f \u015fehirler…<\/p>\n
\u200b\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hurafelerden Ar\u0131nm\u0131\u015f Saf Bir \u0130nan\u00e7: \u0130slam ba\u015fta olmak \u00fczere t\u00fcm inan\u00e7lar\u0131n, atalar k\u00fclt\u00fcn\u00fcn getirdi\u011fi hurafelerden, bask\u0131c\u0131 otorite yorumlar\u0131ndan ve dogmalardan ar\u0131nd\u0131r\u0131larak; peygamberlerin tebli\u011f etti\u011fi \u00f6zg\u00fcn, adil ve \u00e7a\u011f\u0131n ger\u00e7ekleriyle bar\u0131\u015f\u0131k saf haliyle anla\u015f\u0131ld\u0131\u011f\u0131 bir zihinsel d\u00f6n\u00fc\u015f\u00fcm arzuluyorum.<\/p>\n
\u200b\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Benim \u00fctopyam; her inan\u00e7 ve dil mensubunun birbirine ho\u015fg\u00f6r\u00fcyle bakt\u0131\u011f\u0131, adaletin m\u00fclk\u00fcn temeli k\u0131l\u0131nd\u0131\u011f\u0131, bilin\u00e7li bireylerin kendi kutsallar\u0131n\u0131 \u00f6zg\u00fcrce ya\u015fatabildi\u011fi erdemli bir Ortado\u011fu\u2019dur. Bir ressam\u0131n f\u0131r\u00e7as\u0131ndan \u00e7\u0131km\u0131\u015f\u00e7as\u0131na canl\u0131, adil ve huzurlu bir yery\u00fcz\u00fc tasar\u0131m\u0131…<\/p>\n","protected":false},"excerpt":{"rendered":"
Ortado\u011fu denince g\u00fcn\u00fcm\u00fcz d\u00fcnya kamuoyunun zihninde beliren ilk imge; sava\u015f\u0131n, nefretin, yoksullu\u011fun ve cehaletin kuca\u011f\u0131nda bocalayan bir kaos co\u011frafyas\u0131d\u0131r. Sanki kanayan yaran\u0131n hi\u00e7 kabuk ba\u011flamayaca\u011f\u0131, par\u00e7alanm\u0131\u015fl\u0131\u011f\u0131n kader haline geldi\u011fi ve gelece\u011fe dair umutlar\u0131n t\u00fckendi\u011fi bir yery\u00fcz\u00fc par\u00e7as\u0131… \u200b\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Oysa tarih sahnesinin perdesini biraz aralad\u0131\u011f\u0131m\u0131zda, bu topraklar\u0131n insanl\u0131\u011f\u0131n be\u015fi\u011fi oldu\u011funa \u015fahit oluruz. Ortado\u011fu; nice dinin, dilin,…<\/p>\n","protected":false},"author":1,"featured_media":17540,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"saved_in_kubio":false,"_monsterinsights_skip_tracking":false,"fifu_image_url":"","fifu_image_alt":"","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[145,312,233],"tags":[],"class_list":["post-17519","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dusunce","category-ekim-26","category-tuba-cicek","category-145","category-312","category-233","description-off"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t