{"id":17324,"date":"2026-06-04T18:21:41","date_gmt":"2026-06-04T15:21:41","guid":{"rendered":"https:\/\/korpekalemler.net\/?p=17324"},"modified":"2026-06-04T18:21:41","modified_gmt":"2026-06-04T15:21:41","slug":"tahmidiye-duasi-uzerine-4","status":"publish","type":"post","link":"https:\/\/korpekalemler.net\/index.php\/2026\/06\/04\/tahmidiye-duasi-uzerine-4\/","title":{"rendered":"Tahmidiye Duas\u0131 \u00dczerine – 4"},"content":{"rendered":"

Tahmidiye Duas\u0131 \u00dczerine – 4 <\/strong><\/p>\n

Madde Hapishanesinden Beka Ufkuna <\/strong><\/p>\n

Y\u00fcksel Kurto\u011flu <\/strong><\/p>\n

Matla-i a\u2019la\u0302y\u0131 ev edna\u0302y\u0131 ca\u0302y etsek n\u2019ola<\/p>\n

Tir ves\u0327 ettik makam-\u0131 \u2018ka\u0302b-\u0131 kavseyn\u2019i gu\u0308za\u0302r [1]<\/p>\n

(Na\u0302diri\u0302)<\/p>\n

Tablo yapmak isteyen Ressam’\u0131n, resim yapma iste\u011fi kalpten gelir, zihinde tasarlan\u0131r ve eldeki f\u0131r\u00e7a darbeleriyle icra edilir.<\/p>\n

\u0130\u00e7teki istek, tablonun Evvel’i, tablo bitti\u011finde ortaya \u00e7\u0131kan eser ve o eserin muhte\u015femli\u011finden kaynaklanan memnuniyet Ahir’i, f\u0131r\u00e7a darbelerinin her a\u015famada Ressam’\u0131 memnun edecek \u015fekilde ilerlemesi Zahir’i, tabloyla verilmek istenen mesaj Bat\u0131n’\u0131 i\u015faret eder. [2]<\/p>\n

Ressam\u0131n kalbindeki o ilk “istek” ve “irade”, hen\u00fcz f\u0131r\u00e7a darbeleri ortada yokken her \u015feyi ku\u015fatan ana kaynakt\u0131r. Ressam\u0131n kalbi ve hissiyat\u0131, sanat\u0131n icra edildi\u011fi her a\u015famada, geli\u015fmeleri y\u00f6nlendirir.<\/p>\n

\ud83d\udd39 Kalpteki arzu ve iste\u011fin \u015fekillendi\u011fi, plan ve projesinin yap\u0131ld\u0131\u011f\u0131, soyut iradenin somut birer h\u00fckme ve tasar\u0131ma d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc zihin; kainattaki K\u00fcrs\u00ee\u2019nin izd\u00fc\u015f\u00fcm\u00fcd\u00fcr denilebilir.<\/p>\n

Nas\u0131l ki, zihin, kalpteki arzuyu f\u0131r\u00e7an\u0131n vurulaca\u011f\u0131 yer ve se\u00e7ilecek renklerle bir “proje” haline getirir,<\/p>\n

Aynen \u00f6yle de; Sekizinci Basamak olan K\u00fcrs\u00ee de Ar\u015f-\u0131 Azam\u2019dan gelen emirlerin kainat tualinde hayat bulmadan \u00f6nceki o muazzam tasar\u0131m ve y\u00f6netim merkezidir.<\/p>\n

K\u00fcrs\u00ee\u2019nin ihatas\u0131yla, b\u00fct\u00fcn mahlukat\u0131 bir tek sayfa gibi nazar\u0131 alt\u0131nda tutan, nizam\u0131 intizamla, ilmi iradeyle birle\u015ftiren ve kulu, marifet ufkunda Cebrail Aleyhisselam’la birlikte \u201cyol arkada\u015f\u0131\u201d k\u0131lan, Sultan-\u0131 Ezel ve Ebed\u2019in nihayetsiz Kudret ve Azametine \u201cAllah\u2019u Ekber!\u201d<\/p>\n

\ud83d\udd39 Evvel ve Bat\u0131n ile planlanan \u015fifrenin, Zahir ve Ahir ile sanata d\u00f6n\u00fc\u015fmesini sa\u011flayan \u0130radenin merkezi olan dokuzuncu mertebedeki Ar\u015f, \u0130lahi emirlerin, isimlerin, s\u0131fatlar\u0131n, Kudret ve Azametin ilk tecelli etti\u011fi, her \u015feyi i\u00e7ine alan en geni\u015f dairedir.<\/p>\n

\u0130nsan\u0131n, bu kudret ve azamet kar\u015f\u0131s\u0131nda Elif gibi dimdik duran iradesi, asa gibi iki b\u00fckl\u00fcm olur (R\u00fcku), a\u011fz\u0131ndan, fark\u0131nda olmaks\u0131z\u0131n, Subhane Rabbiyel Azim lafz\u0131 d\u00f6k\u00fcl\u00fcr. B\u00f6ylece, Bedi\u00fczzaman\u2019\u0131n ifadesiyle insana verilen “camiiyet”, onu kainat\u0131n en k\u00fc\u00e7\u00fck par\u00e7as\u0131ndan Ar\u015f’\u0131n zirvesine kadar her makam\u0131n \u015fahidi ve ilahi sanat\u0131n en kapsaml\u0131 aynas\u0131 yapar.<\/p>\n

Ancak bu ilahi tabloda \u0130nsan ve Cin gibi varl\u0131klar, pasif bir boya lekesi de\u011fil; kendisine c\u00fcz’\u00ee irade f\u0131r\u00e7as\u0131 verilmi\u015f ‘muhatap’t\u0131r.<\/p>\n

Ressam, o k\u00fclli tasar\u0131m\u0131 belirlerken; onlar\u0131n bu b\u00fcy\u00fck sanat i\u00e7indeki kendi k\u00fc\u00e7\u00fck dairesinde, hangi rengi se\u00e7ece\u011fine, \u015f\u00fck\u00fcr m\u00fc yoksa k\u00fcf\u00fcr m\u00fc edece\u011fine dair bir ‘alan’ b\u0131rakm\u0131\u015ft\u0131r.<\/p>\n

Havay\u0131 emir ve iradesine; nur unsurunu ilim ve hikmetine, suyu ihsan ve rahmetine; toprag\u0306\u0131 da h\u0131fz ve ihyas\u0131na ayr\u0131 bir ars\u0327 yapan Sani-i Hakim [3] Kadir-i Z\u00fclcelalin Kudret ve Azametine \u201cAllah’u Ekber!\u201d<\/p>\n

\ud83d\udd39 T\u00fcm vas\u0131talar\u0131n kalkt\u0131\u011f\u0131, zaman ve mek\u00e2n\u0131n \u00f6tesinde “H\u00e2l\u0131k-\u0131 Z\u00fclcelal ile m\u00fcl\u00e2ki olma” l\u00fctfuna tekab\u00fcl eden onuncu mertebe, kulun art\u0131k kendi varl\u0131\u011f\u0131ndan tamamen ge\u00e7ip, O\u2019ndan bas\u0327ka bir s\u0327ey go\u0308remez, duyamaz ve bilemez oldu\u011fu veya vu\u0308cudunun bu\u0308tu\u0308n zerra\u0302t\u0131yla O\u2019nun belig\u0306 bir lisan\u0131 ha\u0302line geldi\u011fi ve hep O\u2019nu hayk\u0131rd\u0131\u011f\u0131 “Kab-\u0131 Kavseyn” makam\u0131d\u0131r.<\/p>\n

Hak yolcusunun, c\u00fcz’\u00ee iradesini kullanarak y\u00fckseldi\u011fi noktada, iradi olarak, kendi iradesini de Sahibine teslim etti\u011fi, Gassal’\u0131n elindeki meyyit gibi \u201cKul olmakla\u201d gurur duydu\u011fu ve ayak parmaklar\u0131n\u0131n ucundan ba\u015f\u0131ndaki t\u00fcylere kadar her zerresinin muhabbetullahla co\u015ftu\u011fu zirvedir.<\/p>\n

Hazreti Musa Aleyhisselam’\u0131n “Rabbim, bana Zat’\u0131n\u0131 g\u00f6ster!” talebinin [4], \u00fcmmet-i Muhammed (Sallallahu Aleyhi ve Sellem) i\u00e7in secde vuslat\u0131yla teselliye d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc yerdir [5].<\/p>\n

Sadece bilmenin (\u0130lme\u2019l-yak\u00een) veya g\u00f6rmenin (Ayne\u2019l-yak\u00een) de\u011fil, bizzat hakikatin i\u00e7inde olman\u0131n (Hakka\u2019l-yak\u00een) ad\u0131d\u0131r.<\/p>\n

Habib-i Kibriyas\u0131 Hazreti Muhammed’in (Aleyhisselatu Vesselam) velayetiyle, seyr-i s\u00fcl\u00fck yolunu herkese a\u00e7an, damlaya derya olma imkan\u0131 bah\u015feden, Z\u00fc’l-Cel\u00e2li ve’l-Kem\u00e2l’in Kudret ve Azametine \u201cAllah’u Ekber!\u201d<\/p>\n

Tahmidiye’nin ba\u015f\u0131ndaki on Allah’u Ekber’le i\u015faret etmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131m\u0131z seyr-i s\u00fcl\u00fck-u ruhaniye g\u00f6stermektedir ki; Mira\u00e7, sadece Peygamber Efendimiz\u2019in (Sallallahu Aleyhi ve Sellem) ger\u00e7ekle\u015ftirdi\u011fi tarihsel bir gece yolculuk de\u011fil, ayn\u0131 zamanda her insan\u0131n kendi f\u0131trat\u0131ndaki “\u00e7ekirdekten \u00e7\u0131nara” do\u011fru olan geli\u015fim ser\u00fcvenidir.<\/p>\n

Her mertebe, kendine ait karakteristik \u00f6zellikler ta\u015f\u0131r. Buna f\u0131trat\u0131n tekam\u00fcl hiyerar\u015fisi diyebiliriz. \u015e\u00f6yle ki:<\/p>\n

\ud83d\udd39 Birinci mertebe, Camidiyet: Kalbin ta\u015f gibi kaskat\u0131 kesilmesi. Her t\u00fcrl\u00fc duygudan ve histen mahrum olma<\/p>\n

\ud83d\udd39 \u0130kinci mertebe, Nebatiyet: Yerken, i\u00e7erken, uyurken sadece bedensel ihtiya\u00e7lar\u0131 ve b\u00fcy\u00fcmeyi d\u00fc\u015f\u00fcnme; hayat\u0131n biyolojik idamesine odaklanma<\/p>\n

\ud83d\udd39 \u00dc\u00e7\u00fcnc\u00fc mertebe, Hayvaniyet: Bencillik, \u015fehvet, \u00f6fke, sald\u0131rganl\u0131k ve sadece “an”\u0131 ya\u015fama arzusu. Sorumluluk duygusundan uzak, i\u00e7g\u00fcd\u00fcsel ya\u015fam.<\/p>\n

\ud83d\udd39 D\u00f6rd\u00fcnc\u00fc Mertebe, \u015euur: Duyu organlar\u0131yla d\u0131\u015f d\u00fcnyadan al\u0131nan bilgilerde ilahi sanat\u0131n hikmetini, m\u00fchr\u00fcn\u00fc ve harikas\u0131n\u0131 fark edebilme; e\u015fyaya “Kimin eseri?” nazar\u0131yla bak\u0131\u015f.<\/p>\n

\ud83d\udd39 Be\u015finci Mertebe, \u0130nsaniyet: Kendi sorunlar\u0131yla ilgilendi\u011fi gibi ba\u015fkalar\u0131n\u0131n dertleriyle de dertlenme; mahlukata Hal\u0131k hesab\u0131na \u015fefkatle bak\u0131p, bencilli\u011fi tamamen terk ederek ba\u015fkalar\u0131 i\u00e7in ya\u015fama.<\/p>\n

\ud83d\udd39 Alt\u0131nc\u0131 Mertebe, \u0130man: Zihni tefekk\u00fcr\u00fcn kalbe inmesi; hakikati sadece ak\u0131lla bilmekten \u00f6te, hayata rehber edinme ve iradenin terbiyesiyle yanl\u0131\u015flardan s\u0131yr\u0131lma.<\/p>\n

\ud83d\udd39 Yedinci Mertebe, M\u00fcsl\u00fcmanl\u0131k: Ba\u015f\u0131na gelen olumlu\/olumsuz hadiseler kar\u015f\u0131s\u0131nda sars\u0131lmayan, “Hasbunallah” s\u0131rr\u0131na ermi\u015f, r\u0131za makam\u0131na a\u00e7\u0131lan bir i\u00e7 huzura sahip olma.<\/p>\n

\ud83d\udd39 Sekizinci Mertebe, Marifetullah: Namaz d\u0131\u015f\u0131ndaki zamanlarda dahi kainat\u0131n bir mescid, her bir varl\u0131\u011f\u0131n bir zakir oldu\u011funu g\u00f6r\u00fcp; e\u015fya \u00fczerinde tecelli eden isim ve s\u0131fatlara \u015fahitlik<\/p>\n

\ud83d\udd39 Dokuzuncu Mertebe, Kurbiyet: \u0130badetleri bir bor\u00e7 gibi de\u011fil, “\u015fu aradaki perdeler\/engeller \u00e7ekilse de bir an \u00f6nce m\u00fclaki olsam” arzusuyla, huzur-u daimi i\u00e7inde yerine getirme.<\/p>\n

\ud83d\udd39 Onuncu Mertebe, Bekabilllah: “G\u00f6z g\u00f6rmez, kulak i\u015fitmez” denilen s\u0131rlara mazhariyet. Kul-Rab ili\u015fkisinde h\u00fcsuf-k\u00fcsufa sebep olmamak i\u00e7in aradan \u00e7ekilme, kendi benli\u011finden ge\u00e7erek tamamen ilahi tecellilerin bir yans\u0131mas\u0131 haline gelme. Dost istersen Allah yeter’ hakikatini bizzat ya\u015fama..<\/p>\n

S\u00fcbh\u00e2neke l\u00e2 ilmelen\u00e2 ill\u00e2 m\u00e2 allemten\u00e2, inneke ente\u2019l-al\u00eem\u00fc\u2019l-hak\u00eem. [6]<\/p>\n

Seni tenzih ederiz (S\u00fcbhan\u2019s\u0131n). Senin bize \u00f6\u011fretti\u011finden ba\u015fka ilmimiz yoktur. \u015e\u00fcphesiz Sen, her \u015feyi hakk\u0131yla bilen, her i\u015fi hikmetle yapans\u0131n.<\/p>\n

Allah\u0131m, kalbimizi iman ve Kur\u2019\u00e2n nuruyla nurland\u0131r. Daima Sana muhta\u00e7 oldu\u011fumuzu hissetmekle, bizi zengin eyle; Senin rahmetine ihtiya\u00e7 duymamakla, bizi fakir d\u00fc\u015f\u00fcrme. Kendi g\u00fc\u00e7 ve kuvvetimizden vazge\u00e7ip Senin g\u00fc\u00e7 ve kuvvetine s\u0131\u011f\u0131nd\u0131k. Sen de bizi, Sana tevekk\u00fcl edenlerden eyle, nefsimize terk etme ve Bizi h\u0131fz\u0131nla koru. (Amin) [7]<\/p>\n

Dipnotlar:<\/p>\n

[1] Yurt edinsek ne olur \u201cEv edna\u201d makam\u0131n\u0131?<\/p>\n

Ok gibi delip ge\u00e7tik K\u00e0b-\u0131 Kavseyn s\u0131rr\u0131n\u0131<\/p>\n

[2] Ars\u0327\u0131n Za\u0302hir-Ba\u0302t\u0131n, Evvel-A\u0302hir isimlerinin halitas\u0131ndan ibaret oldu\u011funa dair bkz. Said Nursi, Mesnevi-i Nuriye, Hubab Risalesi; ayr\u0131ca \u0130bn\u00fc’l-Arab\u00ee, F\u00fct\u00fbh\u00e2t-\u0131 Mekkiyye (Ar\u015f’\u0131n \u0130simlerin Merkezi Olmas\u0131 bahsi).<\/p>\n

[3] Said Nursi, Mesnevi-i Nuriye, Hubab Risalesi<\/p>\n

[4] A’raf Suresi, 7:143.<\/p>\n

[5] “Kulun Rabbine en yak\u0131n oldu\u011fu an, secde halidir. \u00d6yleyse secdede \u00e7ok dua edin.” (M\u00fcslim, Sal\u00e2t 215; Nes\u00e2\u00ee, Mev\u00e2k\u00eet 35)<\/p>\n

[6] Bakara Suresi, 2:32<\/p>\n

[7] Said Nursi, S\u00f6zler, 7. S\u00f6z sonundaki dua.<\/p>\n

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Tahmidiye Duas\u0131 \u00dczerine – 4 Madde Hapishanesinden Beka Ufkuna Y\u00fcksel Kurto\u011flu Matla-i a\u2019la\u0302y\u0131 ev edna\u0302y\u0131 ca\u0302y etsek n\u2019ola Tir ves\u0327 ettik makam-\u0131 \u2018ka\u0302b-\u0131 kavseyn\u2019i gu\u0308za\u0302r [1] (Na\u0302diri\u0302) Tablo yapmak isteyen Ressam’\u0131n, resim yapma iste\u011fi kalpten gelir, zihinde tasarlan\u0131r ve eldeki f\u0131r\u00e7a darbeleriyle icra edilir. \u0130\u00e7teki istek, tablonun Evvel’i, tablo bitti\u011finde ortaya \u00e7\u0131kan eser ve o…<\/p>\n","protected":false},"author":1,"featured_media":17341,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"saved_in_kubio":false,"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"fifu_image_url":"","fifu_image_alt":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[145,305,300,296],"tags":[],"class_list":["post-17324","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dusunce","category-mayis-26","category-tasavvuf","category-yuksel-kurtoglu","category-145","category-305","category-300","category-296","description-off"],"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/korpekalemler.net\/wp-content\/uploads\/2026\/06\/1780585480875.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/posts\/17324"}],"collection":[{"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/comments?post=17324"}],"version-history":[{"count":1,"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/posts\/17324\/revisions"}],"predecessor-version":[{"id":17325,"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/posts\/17324\/revisions\/17325"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/media\/17341"}],"wp:attachment":[{"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/media?parent=17324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/categories?post=17324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/tags?post=17324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}