{"id":16180,"date":"2023-09-16T21:29:56","date_gmt":"2023-09-16T18:29:56","guid":{"rendered":"https:\/\/korpekalemler.net\/?p=16180"},"modified":"2023-09-26T18:22:54","modified_gmt":"2023-09-26T15:22:54","slug":"birlesen-yollar-sule-yuksel-senler-ve-turkan-sorayin-film-setinde-kesisen-hikayesi","status":"publish","type":"post","link":"https:\/\/korpekalemler.net\/index.php\/2023\/09\/16\/birlesen-yollar-sule-yuksel-senler-ve-turkan-sorayin-film-setinde-kesisen-hikayesi\/","title":{"rendered":"\u015eule Y\u00fcksel \u015eenler’in T\u00fcrkan \u015eoray \u0130le \u2018Birle\u015fen Yollar\u2019 Filminde Kesi\u015fen Yollar\u0131"},"content":{"rendered":"

-\u00dcstad Bedi\u00fczzaman\u2019\u0131n Talebelerinden \u00d6zer \u015eenler\u2019in K\u0131zkarde\u015fi \u015eule Y\u00fcksel \u015eenler’in, ‘Huzur Soka\u011f\u0131’ Roman\u0131n\u0131n Filmi \u2018Birle\u015fen Yollar\u2019 Setinde T\u00fcrkan \u015eoray \u0130le Kesi\u015fen Yollar\u0131n\u0131n Hikayesi-<\/em><\/p>\n

 <\/p>\n

“\u0130nsan\u0131n vatan\u0131; kullu\u011fudur, ne zaman kullu\u011fundan gaflet ederse, o zaman gurbette olur.”
\n(Hz.Muhyiddin \u0130bn-i \u00c2rabi {k.s})<\/p>\n

1991 y\u0131l\u0131n\u0131n k\u0131\u015f mevsimi, duvardan duvara serili ye\u015fil hal\u0131lar ile d\u00f6\u015fenmi\u015f, duvarlar\u0131 yar\u0131ya kadar ah\u015fap lambirilerle \u00e7evrili Kumrulu Medresesinin mescidinde toplanan gen\u00e7 k\u0131zlar heyecanla birini bekliyorlar. Ben hen\u00fcz 17 ya\u015flar\u0131nday\u0131m, k\u0131zlar f\u0131s\u0131r f\u0131s\u0131r arkada\u015flar\u0131na gelen ki\u015fi hakk\u0131nda bir \u015feyler s\u00f6yl\u00fcyor. \u00d6n\u00fcm\u00fczde biraz y\u00fcksek\u00e7e haz\u0131rlanm\u0131\u015f sedir gibi bir b\u00f6l\u00fcm var. Konu\u015fan\u0131 daha rahat g\u00f6relim diye m\u00fctenasip bir y\u00fckseklikte yap\u0131lm\u0131\u015f, s\u0131k s\u0131k arkam\u0131za d\u00f6n\u00fcp “geliyor mu?” diye bak\u0131yoruz. K\u0131sa bir s\u00fcre sonra yan\u0131nda kendine refakat eden hocahan\u0131mla g\u00f6r\u00fcn\u00fcyor. Gelen, bir d\u00f6neme damgas\u0131n\u0131 vuran, \u015eule Y\u00fcksel \u015eenler. Onun ad\u0131n\u0131 ilk kez babamdan duymu\u015ftum, 6 \u015eubat depreminde enkaz alt\u0131nda kalarak vefat eden abimin ilk k\u0131z evlad\u0131na isim d\u00fc\u015f\u00fcn\u00fcrken yine 6 \u015eubat depreminde enkaz alt\u0131nda kalarak vefat eden babam. “\u0130smi \u015eule olsun, \u015eule Y\u00fcksel \u015eenler gibi olsun.” demi\u015fti. Allah demenin yasak oldu\u011fu bir d\u00f6nemde, cesaretle, k\u00fcrs\u00fclerden \u0130slam’\u0131 hayk\u0131ran bu gen\u00e7 han\u0131ma belli ki babam da hayran olmu\u015ftu. \u015eule Y\u00fcksel \u015eenler, y\u00fcz\u00fcnden hi\u00e7 eksik etmedi\u011fi tebess\u00fcm\u00fc ile, bize yakla\u015f\u0131yordu. Kalbim yerinden \u00e7\u0131kacak gibi \u00e7arp\u0131yordu. Neredeyse her evin k\u00fct\u00fcphanesinde olan Huzur Soka\u011f\u0131 roman\u0131n\u0131n me\u015fhur yazar\u0131 kar\u015f\u0131m\u0131zda idi.
\nZarif bir edayla oturdu kar\u015f\u0131m\u0131za, r\u00fbha de\u011fen kadife sesiyle bizi sel\u00e2mlad\u0131. Haftasonu oldu\u011fundan talebelerin \u00e7o\u011fu evlerine gitmi\u015fti, biz ise \u00e7\u0131kacak yeri olmayan gurbet\u00e7ilerdik, say\u0131m\u0131z azd\u0131. Lo\u015f \u0131\u015f\u0131\u011f\u0131n alt\u0131nda heyecan ile \u015eule Y\u00fcksel \u015eenler’in neler anlataca\u011f\u0131n\u0131 bekliyorduk.<\/p>\n

Hitabeti, zar\u00e2feti, kibarl\u0131\u011f\u0131, tebess\u00fcm\u00fc, simas\u0131ndaki n\u00fbr ile ba\u015fka \u00e2lemlerden buraya \u0131\u015f\u0131nlanm\u0131\u015f gibiydi. \u00c7a\u011flayan bir \u015felale gibi ba\u015flad\u0131 bize b\/akmaya. Hayat\u0131n\u0131 bize t\u00fcm detaylar\u0131 ile anlat\u0131yordu. Haftasonu geldi\u011finde kendisinin bak\u0131m\u0131 ile ilgilenen hocahan\u0131ma rica ediyor, onu bize sohbet etmesi i\u00e7in davet ediyorduk. O da her defas\u0131nda tevazu ile davetimize icabet ediyor, sab\u0131rla hat\u0131ralar\u0131n\u0131 anlat\u0131yordu. Arada kendisine merak etti\u011fimiz \u015feyleri sorarak sohbetin ak\u0131\u015f\u0131n\u0131 y\u00f6nlendiriyorduk.<\/p>\n

S\u0131ra hepimizin merak etti\u011fi Huzur Soka\u011f\u0131 roman\u0131na geldi. Romandaki Bilal karakterinin ilham\u0131n\u0131 abisinden alm\u0131\u015ft\u0131 \u015eenler. Abisi Risale-i Nur talebelerinden, \u00eemanl\u0131 bir delikanl\u0131 idi, \u015eule Y\u00fcksel’in \u00fczerinde de etkili olmu\u015ftu. Roman o d\u00f6nem \u00e7ok b\u00fcy\u00fck bir ses getirmi\u015fti; zira tesett\u00fcrl\u00fc bir kad\u0131n\u0131n b\u00f6yle bir roman yazmas\u0131, o d\u00f6nemler i\u00e7in, hayli enteresan kar\u015f\u0131lanm\u0131\u015ft\u0131. \u015eenler kendisine y\u00f6nelik bu tevecc\u00fch\u00fc \u015f\u00f6yle de\u011ferlendirdi: “O d\u00f6nemde ba\u015f\u0131 kapal\u0131 kad\u0131nlar\u0131 cahil, temizlik\u00e7i, k\u00fclt\u00fcrs\u00fcz olarak g\u00f6rd\u00fckleri ve g\u00f6sterdikleri i\u00e7in b\u00f6yle ses getiren kitap yazan, fevkalade bir hitabete sahip gencecik bir k\u0131z kar\u015f\u0131s\u0131nda \u015fa\u015f\u0131rm\u0131\u015flard\u0131.”
\nBahsetti\u011fimiz y\u0131llar 60’l\u0131 70’li y\u0131llar.<\/p>\n

Kitap yay\u0131nlan\u0131r ve b\u00fcy\u00fck bir ilgi g\u00f6r\u00fcr. O kadar ilgi g\u00f6r\u00fcr ki yap\u0131mc\u0131lar \u015eule Y\u00fcksel \u015eenler’e kitab\u0131n filmini \u00e7ekmeyi teklif ederler. \u015eule Y\u00fcksel \u015eenler: “t\u00fcm sahneler benim onay\u0131mdan ge\u00e7mek kayd\u0131yla kabul ediyorum.” der. Mal\u00fbm\u00e2liniz ba\u015frollerinde T\u00fcrkan \u015eoray ve \u0130zzet G\u00fcnay vard\u0131r.<\/p>\n

\u015eule Y\u00fcksel \u015eenler’e \u00e7ekimleri y\u00f6nlendirmesi i\u00e7in bir yer tahsis ederler. Bu yer T\u00fcrkan \u015eoray’\u0131n kulisi ile yan yana d\u0131r. Filmin \u00e7ekimlerine ba\u015flan\u0131r. \u015eule Y\u00fcksel \u015eenler ile T\u00fcrkan \u015eoray tan\u0131\u015f\u0131r; hatta tan\u0131\u015fman\u0131n \u00f6tesinde aralar\u0131nda bir dostluk da has\u0131l olur.<\/p>\n

\u015eule Y\u00fcksel \u015eenler filmin, kitab\u0131n \u00f6z\u00fcne birebir uymas\u0131 i\u00e7in, dekorasyon da dahil her \u015feyi ile bizzat ilgilenir, filmin baz\u0131 sahneleri \u015eenler’in evinde \u00e7ekilir.
\n\u00c7ekimler devam ederken bir g\u00fcn \u015eenler odas\u0131ndan bir sebeple \u00e7\u0131kar, d\u00f6nd\u00fc\u011f\u00fcnde kap\u0131n\u0131n hafif aral\u0131k oldu\u011fu farkeder. Tedirgin olur, yava\u015f\u00e7a odaya yakla\u015f\u0131r. \u0130\u00e7eride boy aynas\u0131n\u0131n kar\u015f\u0131s\u0131nda T\u00fcrkan \u015eoray’\u0131n oldu\u011funu g\u00f6r\u00fcr. T\u00fcrkan \u015eoray, \u015eule Y\u00fcksel \u015eenler’in pardes\u00fcs\u00fcn\u00fc giymi\u015f, ba\u015f\u00f6rt\u00fcs\u00fcn\u00fc takm\u0131\u015f aynada kendine uzun uzun bak\u0131yormu\u015f, ara s\u0131ra pardes\u00fcn\u00fcn \u00f6n\u00fcn\u00fc a\u00e7\u0131yor sonra tekrar kapat\u0131yormu\u015f. \u015eule Y\u00fcksel’i farkedince biraz mahcubiyet hisseder T\u00fcrkan \u015eoray, sonra konu\u015fmadan s\u0131ms\u0131k\u0131 sar\u0131l\u0131r \u015eule Y\u00fcksel’e. Film sanki ger\u00e7ek olmu\u015ftur.<\/p>\n

\u00c7ekimler boyunca ahbap olan bu iki kad\u0131n i\u00e7lerini d\u00f6kerler birbirine. “T\u00fcrkan \u015eoray’\u0131n benimle mezara gidecek s\u0131rlar\u0131 var.” diyor \u015eule Y\u00fcksel.
\n\u00c7ekimler devam eder. Kitaptaki Feyza’n\u0131n namaz sahnesi i\u00e7in haz\u0131rl\u0131k yap\u0131l\u0131r. O d\u00f6nem teknoloji \u00e7ok geli\u015fmedi\u011finden n\u00fbru an\u0131msatmas\u0131 kameran\u0131n etraf\u0131 parlak ka\u011f\u0131tlar ile \u00e7evrilerek yans\u0131ma olu\u015fturulur. Y\u00f6netmen titizlikle T\u00fcrkan \u015eoray’\u0131 sahneye haz\u0131rlar. Ba\u015f\u00f6rt\u00fcs\u00fcn\u00fc \u015eule Y\u00fcksel \u015eenler yapar, seccade serilir ve \u00e7ekim ba\u015flar. Tam o esnada ezan okunur. T\u00fcrkan \u015eoray ayakta elleri ba\u011fl\u0131, g\u00f6z\u00fc secdede bir vaziyette iken bir anda a\u011flamaya ba\u015flar, etraftakiler rol icab\u0131 olarak d\u00fc\u015f\u00fcn\u00fcr, fakat i\u015fin hakikati \u00f6yle de\u011fildir, T\u00fcrkan \u015eoray ger\u00e7ekten a\u011fl\u0131yor ve bu a\u011flay\u0131\u015f gittik\u00e7e h\u0131\u00e7k\u0131r\u0131klara d\u00f6n\u00fcyordur. Herkes \u015fa\u015fk\u0131nd\u0131r, \u00e7ekim durdurulur. T\u00fcrkan \u015eoray: “Hepiniz d\u0131\u015far\u0131 \u00e7\u0131k\u0131n, kimse kalmas\u0131n!” diye ba\u011f\u0131r\u0131r. Herkes \u00e7\u0131kar, yan\u0131nda sadece \u015eule Y\u00fcksel’in kalmas\u0131n\u0131 ister. T\u00fcrkan \u015eoray secdeye kapan\u0131p: “Anneeee, senin y\u00fcz\u00fcnden bu yollara d\u00fc\u015ft\u00fcm, Anneeee, seni asla affetmeyece\u011fim.” diye feryat eder. H\u0131\u00e7k\u0131ra h\u0131\u00e7k\u0131ra a\u011flar T\u00fcrkan \u015eoray, sesi d\u0131\u015far\u0131daki t\u00fcm ekiplerce duyulur.<\/p>\n

“\u0130nsan\u0131n vatan\u0131; kullu\u011fudur, ne zaman kullu\u011fundan gaflet ederse, o zaman gurbette olur.” demi\u015f Muhyiddin \u0130bn-i \u00c2rabi {k.s} Muhtemelen T\u00fcrkan \u015eoray \u00e7ekimler s\u0131ras\u0131nda asli vatan\u0131n\u0131n rayihas\u0131n\u0131 ald\u0131, f\u0131trat\u0131n\u0131n kokusunu, Rabb’inin huzurunda haz\u0131r olman\u0131n cezbesini. Uzun s\u00fcre gurbette kalan birinin vatan\u0131na kavu\u015fmas\u0131 gibiydi \u015eoray’\u0131n seccadede Rabb’i ile bulu\u015fmas\u0131. Rol icab\u0131 bile olsa hat\u0131rlam\u0131\u015ft\u0131 as\u0131l vatan\u0131n\u0131 .<\/p>\n

Onu vatan\u0131ndan (kullu\u011fundan) uzak tutan\u0131n annesi oldu\u011funu farketti. \u00c7\u00fcnk\u00fc T\u00fcrkan \u015eoray’\u0131n oyuncu olmas\u0131 i\u00e7in onu setlerle tan\u0131\u015ft\u0131ran, g\u00f6t\u00fcren annesiydi.
\nT\u00fcrkan \u015eoray’\u0131n feryad\u0131n\u0131 yapan ise r\u00fbhuydu, isyan\u0131 ise annesi k\u0131l\u0131f\u0131ndaki nefsineydi. \u015eule Y\u00fcksel \u015eenler, bunlar\u0131 anlat\u0131rken hepimiz l\u00e2l olmu\u015f, g\u00f6zya\u015flar\u0131m\u0131za h\u00e2kim olamam\u0131\u015ft\u0131k, g\u00f6zlerimizle “sonra sonra ne oldu?” der gibi bak\u0131yorduk.<\/p>\n

Nihayet filmin \u00e7ekimleri biter. Filmin bitmesini bekleyen R\u00fc\u00e7han Atl\u0131, \u015eoray’\u0131 yurtd\u0131\u015f\u0131na \u00e7\u0131kar\u0131r ve \u015eule Y\u00fcksel \u015eenler’den uzakla\u015ft\u0131r\u0131r. Yurtd\u0131\u015f\u0131na \u00e7\u0131kt\u0131ktan sonra irtibatlar\u0131 kesilir.<\/p>\n

\u015eule Y\u00fcksel \u015eenler ile dostlu\u011fu devam ederse \u015eoray’\u0131n hayat\u0131n\u0131n seyrini de\u011fi\u015fece\u011fini farkeder R\u00fc\u00e7han Atl\u0131. Malumunuz \u015eoray ayn\u0131 \u015fekilde oyunculuk hayat\u0131na devam eder.<\/p>\n

\u015eu imtihan d\u00fcnyas\u0131nda \u00e7o\u011fumuza asli vatan\u0131n\u0131 hat\u0131rlatan i\u015faretler g\u00f6nderir Yaradan. \u015eayet r\u00fbh nefse g\u00e2lip ise yola revan olur; nefs r\u00fbha g\u00e2lip ise yolda kal\u0131r.
\nHer kiminle birle\u015ftiyse yolumuz birle\u015fmesi bo\u015funa de\u011fildir; t\u0131pk\u0131 \u015eule Y\u00fcksel \u015eenler ile T\u00fcrkan \u015eoray’\u0131n “Birle\u015fen Yollar” filminde birle\u015ftirildi\u011fi gibi.<\/p>\n

Merh\u00fbme \u015eule Y\u00fcksel \u015eenler Hocama rahmet diliyorum. Menzili m\u00fcbarek, kabri cennet bah\u00e7elerinden bir bah\u00e7e olsun, in\u015fallah r\u00fbhlar\u0131m\u0131z d\u00fcnyada kulluk, ahirette cemalullah sofras\u0131 ile vatan\u0131na kavu\u015fsun. \u00c2min.<\/p>\n

S\/\u00f6z\u00fcm\u00fcn de\u011fdi\u011fi herkese sonsuz sel\u00e2mlar.<\/p>\n","protected":false},"excerpt":{"rendered":"

-\u00dcstad Bedi\u00fczzaman\u2019\u0131n Talebelerinden \u00d6zer \u015eenler\u2019in K\u0131zkarde\u015fi \u015eule Y\u00fcksel \u015eenler’in, ‘Huzur Soka\u011f\u0131’ Roman\u0131n\u0131n Filmi \u2018Birle\u015fen Yollar\u2019 Setinde T\u00fcrkan \u015eoray \u0130le Kesi\u015fen Yollar\u0131n\u0131n Hikayesi-   “\u0130nsan\u0131n vatan\u0131; kullu\u011fudur, ne zaman kullu\u011fundan gaflet ederse, o zaman gurbette olur.” (Hz.Muhyiddin \u0130bn-i \u00c2rabi {k.s}) 1991 y\u0131l\u0131n\u0131n k\u0131\u015f mevsimi, duvardan duvara serili ye\u015fil hal\u0131lar ile d\u00f6\u015fenmi\u015f, duvarlar\u0131 yar\u0131ya kadar ah\u015fap lambirilerle…<\/p>\n","protected":false},"author":1,"featured_media":16188,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"saved_in_kubio":false,"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"fifu_image_url":"","fifu_image_alt":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[243,149,232],"tags":[],"class_list":["post-16180","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eylul-23","category-kevsersabaalkaya","category-kultur","category-243","category-149","category-232","description-off"],"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/korpekalemler.net\/wp-content\/uploads\/2023\/09\/images-47.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/posts\/16180"}],"collection":[{"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/comments?post=16180"}],"version-history":[{"count":3,"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/posts\/16180\/revisions"}],"predecessor-version":[{"id":16217,"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/posts\/16180\/revisions\/16217"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/media\/16188"}],"wp:attachment":[{"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/media?parent=16180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/categories?post=16180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/korpekalemler.net\/index.php\/wp-json\/wp\/v2\/tags?post=16180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}